I was told by those old ones that every song has a special time and a place where its sang this is our song and this our time they used to say the only good indian is a dead indian i must be a no good at being indian cuz I feel alive and kicking we are the bastard reject children of manifest destiny the offspring of fornicating aimsters raised by our grandparents who told us not to confuse being warriors with gangsters the edward curtis groupies get jazzed by anyone fitting the bill and America gets jazzed by every Bury My Heart at Walmart film here i stand before you this crowd of nations this life of sanctions an awkward patience like five hundred BIA buildings vs. a fathers' unfiltered hate right next to the IHS building with a two and a half week wait. a cinderblock battlefield where few are left standing and the people its failing, its' marginalized estate. i am armed to the teeth with words from the ivory tower and those good indians told me its borrowed power if... if i talk loud enough if i talk clear enough that i would be heard that for some talking is singing that for some singing is praying but i guess that depends on who is doing the talking and i guess that depends on who is doing the listening ...so understand me in english, you have been robbed of your tongues the taproot of thought in the middle of resisting the language got caught and she only shows her face during ceremony like she's ashamed of her scars like what she has to say is never really heard. at all. and the violence she knows is enough to never sing again but i killed the cameraman and stripped him of his lense. i photographed the body and asked him to forgive. forgive me as i cut out your tongue forgive me as i put you in this powdered wig forgive me when i put your body in a museum forgive me of all my sins for not being a good indian the balls of your forefathers will be traded for whiskey to fuel the molotov cocktails to be tossed at your cities and the breasts of your mothers severed and bloody will be sold to the freak show for the revelers money your children will witness their whole world collapse as kidnapped siblings must erase names off maps so forgive me of all my sins for not being a good indian i was taught better than that i have more respect than that there is no history book with my story there is no newspaper to give me my glory because no one has heard this language in years cept kokopelli, dream catchers and a trail of beers my voice is a small pox blanket that spreads like fire on the prairie infecting both fist and hatchet in the spirit of fucking crazy Category: Nonprofits & Activism
Derrick Jensen: Endgame Part One - 57:00 - Apr 8, 2007
What if you live in the most destructive culture ever to exist? What if that culture refuses to change? What do you do about it? Derrick Jensen: Endgame Part One www.endgamethebook.org www.derrickjensen.org Derrick Jensen named Press Action Person of the Year for 2006 From the Press Action website www.pressaction.com "The recipient of this award was never in doubt. Derrick Jensen's Endgame, released in late spring, was the best work of nonfiction in 2006. Given the significance of its subject matter and the urgency of Jensen's message, Endgame is the most important book of the decade and could stand as the must-read book of our lifetimes. But be careful. The book is likely to send you into periods of despondency over the bleak future of the planet. But Jensen explains that if enough of us stand up and work together to fight the fascists, the crash won't be as devastating. And the long struggle will eventually result in an explosive renewal of all forms of life on the planet." From the website www.endgamethebook.org: "Having long laid waste our own sanity, and having long forgotten what it feels like to be free, most of us too have no idea what it’s like to live in the real world. Seeing four salmon spawn causes me to burst into tears. I have never seen a river full of fish. I have never seen a sky darkened for days by a single flock of birds. (I have, however, seen skies perpetually darkened by smog.) As with freedom, so too the extraordinary beauty and fecundity of the world itself: It’s hard to love something you’ve never known. It’s hard to convince yourself to fight for something you may not believe has ever existed." --from Endgame, Volume I "Hailed as the philosopher poet of the ecological movement, best-selling author Derrick Jensen returns with a passionate forecast of how industrial civilization, and the persistent and widespread violence it requires, is unsustainable. Jensen's intricate weaving together of history, philosophy, environmentalism, economics, literature and psychology has produced a powerful argument that demands attention in the tradition of such important books as Herbert Marcuse's Eros and Civilization and Brigid Brophy's Black Ship to Hell." Endgame Part Two is located at: http://video.google.com/videoplay?docid=6557057252892383895«
Some more Dougie, there is another song on the spiral blog..all his songs just open my heart right up, and this one is so funny live as he *adapts to the environmental noises* I love the lyrics to this.
SCYTHE SONG
Music & Lyrics by Dougie MacLean. Published by Limetree Arts and Music
I still remember when I first watched him work the blade It was down in the Buckney den my questions tumbled and he said O this is not a thing to learn inside a day Stand closely by me and I’ll try to show the way
CHORUS You’ve got to hold it right feel the distance to the ground Move with a touch so light until it’s rhythm you have found Then you’ll know what I know
O wild are the ways we run when at last untethered out we fly Straight into the burning sun need no direction no not I But its is not a thing to learn inside a day Stand closely by me and I’ll try to show the way CHORUS
So little dancing girl you want to play a tune One that your heart can fill to help you shine under the moon Well it is not a thing to learn inside a day Stand closely by me and I’ll try to show the way You’ve got to hold it right feel the distance to the sound Move with a touch so light until it’s rhythm you have found Then you’ll know what I know now
this is the explanation about the project and the album..Jonsi sings/writes/plays with my favorite Icelandic band Sigur Ros but this is a very different project. There is a free download here..for a slice of heaven for the ears, and spirit, its recommenced.
Ten Canoes: a film by Rolf de Heer & people of Ramingining
A parable of forbidden love from Australia's mythical past, with storytelling by Australian icon David Gulpilil (Crocodile Dundee and Rabbit-Proof Fence) and starring his son Jamie as the covetous youth Dayindi, Ten Canoes is a ground-breaking glimpse into aboriginal life centuries before European settlement.
I wrote this as a homage to Jack Kerouac, its still a little ropey but that’s the way it was born~ 2007-I had been reading desolation Angels and was inspired by the way he described his days on the mountain fire watching..I have been interested in him, his life his writings, for years but I had no idea when I wrote this that his nick name according to one biography I read extracts of ( Memory Babe) was Zig , tried to find the quote bit its a huge book (so I gave up) Anyway this was what came out in a stream of consciousness..
I have no mount Hozomeen Jack, no cafes in Mexico, no void as yet..Except sometimes.. Here is a cup of black coffee with the sweetness of dark sugar, dissolving like lust after the full moon has blown its last shining chorus.
Maybe I talk to you..
You turn up here, your hat askew in that way you have of wearing it, like your life.. a little to the zig zag
..as if the road was more slanted..the one you took that is.
You were nearly dead at my age..such gentleness you had…
a crazy wisdom and a love for the Buddha, you believed in the stillness and emptiness of things..
I take notes on my beach walk, “scribbled secret nothings” The stones are shining in the darkening glow of thunder clouds, which are flexing slightly, warming up for the rhythm later…some symphony of light and rain. I see, or try to see, as you did the charisma that is nature, but I feel it more..its a bodily thing.. perhaps my pagan blood.. You wrote-one winter- or was it summer? About desolation angels and days and days alone on the mountain.. Fire watching …waiting for a fire to break out, somewhere. You drank black coffee and you ran out of sugar and you smoked.. each tender description detailed the moment to moment living..I was there with you, in the "eye of the eye". I write this as per Your instructions of spontaneous prose, except without the bourbon..is that what you drank? I can’t remember, I should though. I know the colour of your eyes. I know you were French Canadian and English was not your mother tongue, I know I fell in love with your writing and the idea of you..your presence on the page and how you dared. Dares were packed up neatly in your rucksack waiting for the card game and cigars. But it was deeper than that and still is. You fought them, at least you tried to..and they loved you for it, crippled you with their love. I look for “the eye within the eye” and I can see you..in my -minds eye- and all the others who came after, to shape the style and claim the crown. But you were the first, you barely had the dress of grammar, nor the stylists glamor, but you wrote… from your ever expanding heart and mind you wrote. You wrote as jazz chords blossom and the music lingers. You wrote of life and its rebellion which was yours in all its sweetness, Bodhisattva..
You wrote the road, the road wrote you and left your face unlined..but your heart was spilt. You left your legacy like driftwood on the beaches, you talked of “swimming in the language sea..”..
When this came to London in 2006 I was having a year from hell and I was so disappointed that I could not go down there and see it.. Royal de Luxe but I watch these instead feeding my fascination for the story and the puppetry the sense of wonder at it all..
close up on the elephant gives me a wild chill.. I just love this artistry! Big smile on my face when I watch this..
I hold the most archaic values on earth ... the fertility of the soul, the magic of the animals, the power-vision in solitude, .... the love and ecstasy of the dance, the common work of the tribe. -- Gary Snyder
You know, I think if people stay somewhere long enough - even white people - the spirits will begin to speak to them. It's the power of the spirits coming from the land. The spirits and the old powers aren't lost, they just need people to be around long enough and the spirits will begin to influence them. -- Crow elder
Wilderness is not just the 'preservation' of the world, it is the world. .... Nature is ultimately in no way endangered; wilderness is. The wild is indestructible, but we might not see the wild. -- Gary Snyder
"In his book The Rag and Bone Shop of the Heart, Robert bly says that to be wild is not to be crazy like a criminal or psychotic, but "mad as the mist and snow." It has nothing to do with being childish or primitive, not does it manifest as manic rebellion or self-damaging alienation. The real marks of wildness, he asserts are a love of nature, a delight in silence, a voice free to say spontaneous things, and an exuberant curiosity in the face of the unknown."
About Me
Spiral Dancer
A Wild and feral HedgeWitch of Alba~ creative writer, Wisdom Seeker, Word Chaser~ Spiral Dancer, Shamanic journey , Searching for the fey in all things.~